Creatures of the deep

Kids tubing

These are my two grandsons, Sunday, when the sun FINALLY came out and they got to enjoy a day-long excursion on their dad's boat.

The interesting thing (to me) is that this photo was taken the day after they watched a rented movie that we had been a little reluctant to show them.  A lot of adult conversation---and then finally it was decided that okay, as long as we explained in advance that it was very scary but only a movie with special effects. etc.

Then they watched Jaws.

I watched with them, remembering back to 1975 when we were all terrified by it.  Didn't want to go into the ocean afterward. And now?  YAWN.

So what is the difference?  I expect it has to do with movie technology, and special effects, and that children today are somewhat inured to the plastic monster or the mechanized flesh-eater, no matter how well done.

During the weekend the question was asked: If you could live during any time in the past or future, what would you choose?  I gave a vague and humdrum reply: The Renaissance.  Rhys, age 8, said: The beginning of time.  Primordial ooze.

It was beginning to seem like primordial ooze here, with rain every day for three weeks. But things are shifting. May it continue!

Money Descending a Staircase

BULKhead

Okay.  This is a room in my old house. It is the (only) access to the basement.  You can glimpse, slightly, the old stone steps and the granite wall as you descend.  This would once have been outdoors, but at sometime in the past (who knows when? The house was built in 1768) a room was added that incorporated this cellar access.

The furnace, as we all know, is in the basement.  Every year I have the furnace cleaned and serviced in the fall.  Last fall they told me that I would be needing a new oil tank in the not-too-distant future because the old one was rusting, and of course you don't want to wait till it rusts through and dumps hundreds of gallons of oil into the basement.. So this spring I called them and told them to install a new oil tank when I arrived in early June, for the summer.

They came to look over the situation, measured,  and ascertained that they could not get a new oil tank down there because the opening was not large enough.

There are these moments---last winter, when my well collapsed and I was told that I needed a new well
drilled, was another---when I think: Oh the hell with it. I'll burn the house down.

But I underestimate Yankee ingenuity and determination.

They decided to put in two smaller tanks, and connect them to each other. (Then, to get the old one out, they would cut it into pieces and take it out piece by piece)


Oil tank guys

Here they go, with Tank #1.  (You can see Alfie being ever-helpful in a supervisory capacity)

Both tanks are now in, though they haven't yet removed the older, bigger one.

I love these guys.

The Great God Google

The following was received as a comment to a recent post:

 I'm reading "Planet Google" and came across the chapter on Google's 'book digitizing project." Out of curiosity I went into Google's book search and found most of your published books there. Wow! So does an author get any royalties? I wondered. The process of publishing, as you describe here, involves so much labor, of muscle and love, how does an author feel about seeing her work being given away so....freely?

I reprint it here because it may be of interest to others.

I am not particularly knowledgable about the details, but The Authors Guild brought suit against Google and the lawsuit has been making lawyers rich for a while.  They have reached a settlement which The Authors Guild (professional organization which acts as advocate and lobbyist for published writers) deems an equitable one. To participate in the settlement, authors like myself must file a claim by Sepember.  Sounds easy, right?  Wrong.  Nearly every day for the past two months I have gone to the website where such a claim may be made, thinking TODAY I WILL DO THIS. But after a few minutes I find myself whimpering and having a stomachache.

Filing requires listing every published book and its ISBN number. ISBN stands for International Standard Book Number. It used to be a 10-digit number but starting 2007 it became a 13-digit number. For example, the ISBN for my newest Gooney Bird book is 978-0-547-11967-0. (see below)

ISBN

Okay. Sounds relatively easy.  I've written, I think, maybe 35 published books. So there are 35 ISBNs to locate and list, right? Wrong. Paperback ISBNs are not the same as hardcovers. Book club editions are different.  British editons are different.  Translated editions are different.  ("The Giver" is in 27 foreign editons, I think)

i am whimpering just writing this down.

And September is only two months away.


Rain, rain, rain

Thundercloud



It rain and rains, and there is no end in sight.  Alfie wakes up as usual at 5:30 or 6:00 and as usual I get up and head out for a walk with him, but he balks at the door when he sees the weather, and says No thanks, think I'll pass. 

Today I have two guys in the basement installing a new oil tank, and a guy in the garage installing a new garage door.  So instead of a quiet rainy day --- conducive to work --- it is a noisy rainy day: drills and power tools of all sorts.

I got an email from my editor, Margaret, at Houghton Mifflin Harcourt a little while ago, saying the copy editor had raised some questions regarding timing in my to-be-published-in-Fall book.  "Timing" meaning...if the character said this on Saturday, and then she did this on Sunday, but at some point she said "six days till.." wouldn't that mean that on Friday she...   etc. etc.  I am not quoting exactly because I don't want to describe the plot of the book this early.  But it is why we are grateful to copy editors.  Neither Margaret nor I had noticed the discrepancies that the CE caught.

And when those things are not caught, and slip past, and are published, there are always young readers out there who catch them and write to me demanding an explanation---which I don't have, except for my own stupidity and inattentiveness. (I sometimes also plead old age)

Sometimes what I do (and should have done, for this book) is use an actual calendar, marking on it what happens on each day. One of the mistakes the copy editor caught was that a character was attending school on a day which seemed to be Sunday. If I had used a calendar---and this, for a book in which all the action takes place in one week)....I would have seen that so easily.

In addition to making those corrections today, and also working on a book in progress, I am in the midst of a local small-town project. Along with several other like-minded residents, I have undertaken to create some kind of film society --- hoping to counteract the local movie theater's inclination to show nothing but Transformers and Mummies and Batmans.  Granted, there is a place in our culture for those: just ask my grandsons!  But many of us are yearning for foreign and independent and documentary films, and after several meetings to talk about details, we are soon to present a proposal to the local theater owner.

Lets hope I don't mix up my Mondays and Tuesdays when talking to him.

Jonas Sees in Color

Jonassees 

(Press release):


It looks like things are on the definite upswing for Greensboro, North Carolina band Jonas Sees In Color. They have just signed to indie label Glassnote Records. The label was behind the recent huge success of the single "Fall for You" by Secondhand Serenade. In addition, the band is working in the studio with producer Aaron Johnson who worked with The Fray on their first two albums. Johnson says of the band, "Jonas Sees In Color is a strong edgy rock band with a soft melodic feel. The juxtaposition creates an awesome sound that is as unique as it is familiar."

Jonas Sees In Color was formed in 2005 and have gained a strong following through touring in the East, Midwest and South. The band's name comes from the 1993 Newbery Award winning novel The Giver by Lois Lowry. Lead vocalist Ryan Downing says, ""Our name is basically a metaphor. In The Giver, the main character (Jonas) lives in a black and white world. When he is chosen to take on the responsibility of the hopes, thoughts, and feelings of his entire village, he finally begins to see in color. One of the most important goals of our music is to create a connection with the listener by accurately connecting the stories and ideas contained in our music in a way that allows the listener to take and interpret the songs as their own."

The debut album from Jonas Sees In Color is due in stores this summer.

If You GIve a Mouse....

...a Tibetan Terrier to play with?

My goodness.  Alfie had never met a mouse before, and suddenly there one was...in our living room, looking like a kids book illustration. A storybook mouse. Cute, unafraid.

I took him outside and put him in the grass:

Mouse

Alfie followed me, then positioned himself beside the mouse, ready to play.  He poked the mouse with a paw, then waited. Poked again gently, waited.  Watched.

Alfie with mouse

I came inside and went back to my computer because if this scenario ended badly, I didn't want to watch.

Eventually Alfie came in and lay down for a nap.   He revealed nothing.

My friend Robie Harris once wrote a picture book called GOODBYE MOUSIE.

I thought of that title when I went out, later, and saw that the mouse was gone.  Alfie is a picky eater and disdains almost everything except Purina Dog Chow or Cheddar cheese, so I don't think he ate our mouse.

I have decided that it strolled away and found its friends and lived happily ever after.

The End.

Reminder to students!

I just received a large number of "comments" to this blog, all from students asking questions.  I don't publish comments of that sort here.  This is a reminder to students that if you have comments or questions about books I've written----go to the place on my website that says "e-mail me" (upper right corner)---click on that and it will allow you to send me a personal e-mail.  Happy to reply to those!  But not on the blog.

Summer fun

Swing blog

These are my grandsons, Grey and Rhys, 10 and 8, playing together in the barn over this past weekend  when they were visiting here at the farm. The weather was iffy, boating excursions were curtailed, the beach wasn't an option. But a barn? Yes! A barn is always intriguing.  And there is STUFF in a barn.  (Actually, to the left, you can see a corner of a hammock; to the right, an end of a canoe).

And here, come to think of it, from several years ago, is another grandchild---with her best friend--also in the barn: the other end, where a stall was turned into a special theater where a lot of puppet shows have taken place.

Puppet theater

All of this makes me remember summers of my small-town childhood, where when school ended, I kicked off my shoes and entered summer barefoot and carefree. Out the door in the morning, sometimes back home for lunch---other times ignoring lunch altogether---off on (bare) feet or bike, and knowing all the favorite familiar places: a stream to be waded; an abandoned building to be explored; a wall to be walked on; an overgrown vacant lot to be explored---even the college football field, which was unused in summer, and we could actually climb into the scoreboard and hang out there, peering out of the window where, during the season, score numbers appeared.

I can understand why such excursions are forbidden to today's children. But oh, what a loss of such freedom, roaming, and exploration...

The mysteries and secret and history of an old barn are a safe alternative. I think my grandchildren will remember it happily all their lives.


Dogs

Well, my Tibetan Terrier's two Golden Retriever cousins came to visit yesterday.  And there is no question. Goldens are more photogenic.

Dog trio

What It's All About

My grandsons, 10 and 8, came to visit yesterday.  They had hoped to spend the Sunday afternoon on their dad's boat on the lake...but it was raining and so we stayed in, played board games, and watched the Red Sox get trounced in Philadelphia.

This is their last week of the school year, and the older boy, finishing fifth grade, told me that his class had just finished reading my book "Gossamer."

He and I were standing in the kitchen when he told me this. Then he said, "You know what? Remember the scene where the boy, John, describes a kid he knew (yeah, right, said my grandson, nudging me and winking) whose dad made him eat dogfood?"

Yes, I told him, I remembered the scene where the abused child reveals what his past has been like.

"Well," my grandson said, "In my head, while the teacher read, I pictured this kitchen!" He looked around. "I could see the dogfood bowl there, by the refrigerator."

We both looked to the spot he was pointing to, and I think we were both recalling the little boy whose father had forced him to crouch on the floor and eat canned dogfood from a bowl.

"And you know what? I'm the only kid in my class who has seen this kitchen. So every other kid was picturing a different kitchen!"

Years ago, in a book called "Rabble Starkey," I described the moment when a girl, being read to from Steinbeck's "The Red Pony," realizes that she can see the dog named Smasher in her mind, using the bits of description the author has given....but that the others, listening, were creating their own mental pictures of dogs, using the same clues. "We each had our own private Smasher," she says.

My grandson and I talked briefly about how TV doesn't let you do that.  I didn't think to tell Grey about the private Smasher.  But maybe I'll find a copy of that old book and give it to him.

At the moment, though, he is very absorbed in Percy Jackson and The Olympians.


Sneak Peek

As you know, publishing takes place over a long span of time, and when the writer types, "The End"---it is really the beginning.  I have a picture book coming out in the fall and showed you a glimpse of it some weeks ago.  I'll be talking about it more as its publication approaches.

So: the "package" that I described in my last post was actually the galleys of an upcoming book which is  scheduled for publication in Spring 2010.  I'll show you a quick glimpse of a page (in galley form) so that you can see and appreciate the illustrations done by my friend Jules Feiffer.  I once told Jules he drew FEET better than anyone else, and that is true, but you can't really see it in this one small drawing.  What you can see is the whimsical charm of his work....very appropriate for this completely whimsical book, set in a mthyical kingdom with all the standard accoutrements: royalty, castles, serving maids and suitors.

In this scene, the large wheelbarrow is filled, I am sorry to say, with newly-neck-wrung pigeons.  That's right: dead birds.  Soon to be served, creamed, along with many other luxurious goodies, at The Birthday Ball (which is the title of the book)...

Page of BB galley

Thanks, Jules!

Why I love...

...Country Life:

The UPS guy just arrived and delivered a package. "Dog's harmless," I called to him. "I know he is," he called back. "Hi, Alfie!" he said, and handed him a biscuit.  Then he said to me, while I took the package: "Saw you at Dunkin Donuts this morning but you drove away before I could give you the package."

Busted! Yes, I was at Dunkin Donuts this morning. I went to the dump and it was on the way and I was feeling inadequately coffee'ed.

Earlier, the rural mailman came.  (Actually, mailwoman, but that didn't look right when I typed it).  "I felt so bad when your tulips were blooming that you weren't here to see them," she said. "So I took a picture. I'll leave it in your mailbox tomorrow."

Alf&lilies

Country life at last

Today Alfie and I drove to Maine, where we will be for the summer except for a few (blessedly few) interruptions.

He is ecstatic to be here---has been racing around and around, checking out all of his favorite haunts, and a little nonplussed to discover that I had hired my much-loved handyman to close off any access to the enticing under-the-barn. Enticing to Alfie because of what LIVES under there: critters of all sorts.  Woodchucks, I know, because I've seen them. Porcupines, I know, because Alfie tangled with one and was the worse for it.  Probably many other critters, likely including skunks.  So I don't want him under there. He wants to go under there. I win.  So there.  Hah.

Peonies are in bloom, and some lilies, though I have many varieties of dayilies and they will bloom all summer.



Peonies 6:7

Lupine. Think of Miss Rumphius in the Barbara Cooney book.

Lupine 6:7

Everything smells fresh and green.  It is lovely to be here.

general grossness

Now that I've heard from people completely grossed out by my description of a leaky hotel-room toilet, I thought I'd change the subject by adding one more photo from Africa.  This is a close-up from a menu at a cafe in Johannesburg.

Monkey gland

No, I can't tell you how the monkey gland burger tasted.

I can tell you, though, that wart hog isn't bad.  A wart hog is of the pig family, of course. We were served sweet-and-sour warthog and it was fairly tasty.

As for impala?  I asked the guy at the buffet, as he was slicing the roast, "What does impala taste like?"  He gave that some thought and replied: "A little like springbok."

Tsunami

I am in a hotel room in Lancaster, California, and I am up at 6 AM---in fact have been up since 5:30 AM---partly because my brain is on Massachusetts time, and it is three hours later there.  But also because I was awakened by the sound of water.  Not gush, gush, but trickle,  trickle.  Not drip, but trickle...meaning it is flowing, though not very fast.

I got up to investigate and discovered that the toilet is leaking.  The floor around it was quite awash, though now I have mopped it up and the base of the toilet is swathed in towels. It continues to flow, and I will have to add new towels soon.  Here is a photo (and some of you loyal readers will cringe at the awareness that I published another hotel-toilet photo not terribly long ago. There is a trend here. Sorry).

CA TOILET


This would not be a terribly serious problem were it not for the OTHER photo which I will now add, the photo of the cartons and cartons of books delivered here on a dolly by Barnes and Noble last night.  You can't appreciate the geography from these two photos.  But the flood is inching toward the cartons.

B%N books

Can the hotel get a plumber up here in time?  I am now going to get dressed, go downstairs, see if they have coffee available this early, and inquire about flood control.

Stay tuned.


Or, for that matter, an elephant....

Elephants 6  


No, I will not further bombard you with Africa photos, except for these. It was fascinating to me to see the protectiveness that this elephant herd showed toward their littlest one.  You can see the baby on the left --- he (or she?  Dunno) was at all time surrounded by the others, and when we--in our vehicle---got a little too close for their comfort, the one nearest to the baby always let us know it.  Here (above) you can see the mildly confrontational stance, the ears extended...  And then here (below)...

Elephants 7

.....when we didn't sufficiently back off, the guardian of the baby became a little more clearly annoyed.  When she was finally satisfied that we were not a threat, she tore off a tree branch and fed the baby some leaves. Then, gradually, they all moved off into the underbrush and went on their stately, lumbering way...as did we (less stately).  We could watch the movement of the trees as they continued on their way. For us, it was an awe-inspiring encounter. For them? Ho hum.

These were all females, with the baby.  Males travel alone and when we encountered a male (very large, below) we immediately put the car in reverse and beat a retreat.  You don't want to mess with that.

Elephant

I am back home now after a veeerrryyy  long trip back and a couple days of resulting jet lag. Tomorrow I fly to Los Angeles, in order to speak Thursday at Cal State Lancaster.  Then on Sunday I head with Alfie to Maine for the summer. Lots of work to be transferred from my desk and computer here to my desk and computer there. 

My daughter from SF is in Boston this week, with her friend Steve and their dog Penny; so we had dinner wiht them last night and will again tonight. Penny, a chihuahua, unfortunately does not like other dogs, so poor Alfie is mystified and frustrated at the fact of a visiting dog but no playing allowed.  Penny gets shut away in my office when she visits. Alfie lies on the floor outside the office door wondering what the heck is going on.

why does a rhino cross the road?

Rhino in road

I don't know the answer to WHY but I can testify that they DO and that one certainly gives them the right of way.  I am writing this from  northwest South Africa, where yesterday I visited a second grade class in a primary school in a small Zulu village.  About 45 children with just one teacher, and as I neared the classroom I could hear them singing the traditional "A B C D E F G" song---they start learning English very young--- enthusiastically.

They were lovely kids, all grins and giggles, and it is easy to see how one could fall into the Madonna/Angelina syndrome and want to take a few home.

SA schoolchildren

I am in the town of Hluhluwe, which I can in no way pronounce. The landscape is vast and breathtaking, the people warm and welcoming, the poverty and unemployment heartbreaking. The night sky is incredible and makes me remember the Kurt Weill song "Lost in the Stars" from Alan Paton's book "Cry the Beloved Country" which deals with the days of Apartheid here.

"But I've been walking through the night, through the day
Till my eyes get weary and my head turns grey
And sometimes it seems maybe God's gone away
Forgetting the promise that we've heard him say
And we're lost out here in the stars..."

Tomorrow I start the long trek back to the USA, arriving home the following day, Friday.

packing

Fire__1242630394_9846

On Saturday the Mormon Church just down the street from us caught fire and burned.  My friend who lives next door---VERY close---was  in her kitchen at the time, and was ordered out by the fire chief, who said that her house was likely going to go.  It was the classic what-to-save situation. She said she looked around and realized that it was all "just stuff."  She took her laptop and her cell phone.

And she was lucky because her house is unscathed.  Eventually some salvaged valuables from the church were stored briefly in her house---but she said, "Lots of paintings of Jesus. I wonder if he felt comfortable in our Jewish household."  After a while Jesus was moved to the Friends Meeting House nearby and presumably will stay there---among friends--- for a while.

I have just come back from Dubuque, Iowa, a quick trip---a flight out there, a speech in the evening, and a flight home the next day.  But it was a nice time. A good crowd, interesting poeple and a lovely city.

Then, last night, here in Cambridge, a wonderful fund-raising event headed by writer Alice Hoffman, She does this almost every year, to raise money for the Hoffman Breast Center at Mount Auburn Hospital in Cambridge. Alice was treated there for breast cancer some years ago, and now, in part because of her incredible fund-raising,  it is a world-class facility and has been a source of healing and hope for many, mnay women.

At each event, six writers read from their work, after a lovely cocktail/hors-doeuvres and followed by dessert and coffee.  Last night the authors were Elizabeth Berg, Sebastian Junger, Gregory Maguire, Claire Messud, Tom Perrotta, and Jennifer Weiner.  I did it one year and I can't remember all of the others that year, but I know two of them were Anna Quindlen and Alice McDermott, plus Debra Winger, who read from a friend's work.

I am packing today, and leaving tonight for a ten-day trip that will take me first to London and then to Africa.  Then a quick trip to LA when I get back, and after that to Maine, where I will settle in and work hard and without distracton on at least three separate projects.

And in the middle of the summer, in late July, am taking my two grandsons, 8 and almost-11,  on a week-long adventure.

OKay. Passport. Camera. Anti-malaria medication. Check. check. check.

more than the Riot Act

Riot act


This is the front of a Mothers Day card from my son Ben.  The inside says: "Thanks for reading us more than the riot act"---and it's amazing that he found such an apt card (four children two girls and two boys)--okay, so we never had the ugly lamp or the ugly wallpaper or the ugly drapes...but we certainly had the nightly story-reading and the giggles pictured here.

But I am thinking of another child, a little boy named Anthony, who spent three summers with our family. On  the anniversary of Brown.v. Board of Education, a book called LINDA BROWN, YOU ARE NOT ALONE anthologized stories related to that momentous decision. I wrote about Anthony for that book, now out of print; and I'll copy my contribution here.




ANTHONY


“He’s crying. We were playing keepaway and he just started to cry.” My children, all four of them, came thundering  through the back door into the kitchen, where I was stirring spaghetti sauce. “What should we do?”

I glanced through the window of the Maine farmhouse and saw him standing in the back yard. Sneakers untied. Head down. Skinny shoulders heaving. Tasha, our Newfoundland dog, was at his side, loving but unhelpful. Quickly I wiped my hands on a paper towel and headed out to try to comfort him.

“You guys stay inside,” I said. “Set the table. Seven places, remember, not six.”

“Let’s fold his napkin funny,” I heard one of them say to the others. “It’ll make him laugh.”

Anthony had arrived that afternoon. He was six years old and had just finished first grade. He had ridden that day seven hours in a bus from New York City. Now he was in our backyard in Maine waiting to have dinner with six blue-eyed blond people whom he had never met before in his life. I didn’t blame him for crying.

I had not specified age, gender, or race when I applied to take a Fresh Air Child into my home that summer of 1968. My own four children were both boys and girls, two of each, and they ranged in age from six to ten. Whoever arrived on that bus would find a niche somewhere in our family. There were plenty of toys to share, an assortment of bathing suits for borrowing, and room for one more at the table. The dog adored children indiscriminately, and the cat ignored everyone with the same amount of disdain.
But when they called my name at the Greyhound station, and a little African-American boy, wide-eyed, wearing a nametag with ANTHONY on it, appeared at the door of the bus, I found myself thinking: he’s so small.

My own son, Ben, was also six and had also just completed first grade. But watching the two boys as they walked side by side to the station wagon (Anthony lugging his small plastic suitcase, refusing any help), I could see that Ben was a head taller.

“Shall we call you Tony?” I asked him as the children arranged themselves in the back of the car.

He glared at me. “Why?”

“Well, ah, I meant that Tony is a nickname for Anthony. So maybe you like to be called Tony?”

“No.”

My son came to my rescue. “My name’s Benjamin but I like to be called Ben. Look, I can touch the ceiling of the car with my feet.”

“So can I.” These were pre-seatbelt days. Anthony lay on the seat of the car beside Ben and they touched the dome light with their sneakers. In the rear view mirror I watched the skinny legs, white and brown, vie for positioning.

His brief tears in the yard before supper were simply from a lot of fatigue, a little homesickness, and a certain amount of uncertainty about spaghetti, which he claimed never to have tasted before. But dinner was a hit. Slurping spaghetti was fun. He laughed in the bathtub, and made a soapsud beard, copying Ben. The two little boys traded pajamas; Anthony wore Ben’s baseball players in return for the Tarzans folded in Anthony’s little suitcase.

They were ironed. “Your mom irons your pajamas?” I asked him in astonishment. His answering look said you mean you don’t?  I let it pass.

As night fell, all five of them, smelling of shampoo, arranged themselves on the yellow couch where we gathered every evening, and I opened a book to read aloud as I always did.

The reading ritual was new to Anthony.

“Doesn’t your mom ever read to you?” one of the kids asked him.

“She too busy,” he replied defensively. (Ironing pajamas? I wondered)

Over the summer we would learn more about Anthony’s super-industrious mom. She was a lawyer, a doctor. Rock star.  Bank president. She rode a Harley, sang with the Beatles, had been in the paratroops, spoke several languages. Hardly a moment to read stories at bedtime.

“Well, what about your teacher at school? Doesn’t she read stories to the class?” I asked him.

Anthony grinned. “She yell at us, is all.”

He snuggled in and watched the pages. “What it say there? Don’t turn so fast.”

“That’s just the title page,” I told him. “The story doesn’t begin yet.”

“Read it,” Anthony commanded.

So I backtracked and read the title page to him. The book was by an author named Dayton Hyde, I told him.

“He the guy wrote it down?”

“Yes. Dayton Hyde is his name. And the title of the book he wrote is—“

Ben interrupted. Ben was proud of having learned to read this year. “Cranes in My Corral,” he read, with his finger following the words on the title page.

Anthony pushed Ben’s finger away. “He get that right?” he asked me. “Is that what it say?”

“Yes. That’s the title. Cranes in My Corral.”

“Lemme see where it say that.”

I showed him the words of the title and he repeated it. I could see that it was going to be a long evening.

It was our custom to read one chapter of a book each night at bedtime. Dayton Hyde’s book, (now sadly out of print), was a charming true story of a family of sandhill cranes that nested on his ranch, disappeared each year as part of their migration, and returned faithfully every spring. By the end of the first chapter, the cranes had acquired personalities, and of course the star was the goofy, mischievous littlest one.

Anthony looked startled when I closed the book at the end of Chapter One. “Finish it,” he demanded.
But finally he reluctantly accepted the fact that it was bedtime and that the story would resume the next night. With the too-long legs of Ben’s baseball pajamas dragging on the floor, he climbed the stairs to bed.

He was an intelligent, curious, energetic, and very determined child. When, the next day, the application for the usual summer swimming lessons arrived, and stipulated that each child must be at least four feet in height, I measured Anthony and found that he was simply not tall enough. But he glowered when I explained to him that he wouldn’t be able to go.

“We’ll find something fun to do while they go to swimming lessons,” I told him, but he ignored me and disappeared, scowling, into the bathroom.

When he emerged, he ordered me to measure him again. He had stuffed folded washcloths into his sneakers, elevating his feet uncomfortably at least an inch, and he had raked at his own hair with a comb, trying to make it stand in the air.

It didn’t make him four feet tall, but it made me go to the phone and wheedle a dispensation for this one too-small child so that he could learn to swim.

On his third morning in our home, I asked him if he would like to send a postcard to his mother to tell her that he had arrived safely and settled in.

He shrugged and said no.

“Well, you could tell your brothers and sisters that we have a horse and a dog and a cat.”

The prospect of such gloating seemed to appeal, but he still said no.

“You write it,” he said. “I be telling you what to say.”

So I wrote the postcard message that he dictated, telling his family that he could not only swim but do award-winning dives, and that he knew how to cook spaghetti. I addressed it to the Bronx housing project address that I’d been given, and handed him the card so that he could sign his name.

He didn’t know how. I held my hand over his on the pen, and we made the letters together: A N T H O N Y. I showed him his nametag, which we had hung on the kitchen bulletin board, and he looked at it with some interest, now that he knew the name was his. Then he took his card to the mailbox, and lifted the small tin flag to let the rural mailman know that A N T H O N Y had written to his mother, who was herself, he told us, a mailman on the days when she wasn’t being a violin player or a chef.

Each evening he was first on the couch, with the book in his hands.  I showed him how the word “crane” looked on the page, and that he could, if he tried, find it in other places.  From time to time his small index finger crept onto the page, to point to another sighting of the word as I read.

I don’t remember how many chapters Cranes in My Corral contains. But I remember clearly the night that we read the final one.

Summer was passing. Anthony had learned to dog-paddle his way across the pool. He had sat on our horse and had his picture taken and the photograph was inside his suitcase waiting to be shown to his pals and siblings in New York. He had eaten lobster, and then he had eaten more lobster and still more. He was hoping to eat twelve lobsters by the time he went home. Next summer, he said, he would come back and eat forty lobsters, and he would not only sit on the horse next summer, but he would let the horse walk while he was sitting.

I read the last chapter of the book. One more time, the family of cranes returns to Mr. Hyde’s ranch corral. One by one they appear in the distance, and then swoop in to their familiar place, the place where they had been born and to which they had been returning for years. The rancher waits and watches.  But one crane—the littlest one, the one we all liked best, the goofy, silly one—is missing.  Hours pass, and finally night comes. But the last crane has, on its travels, met with some mishap. It does not return.

I closed the book. My own children nodded their heads, accustomed to endings, accepting of sadness. They began to gather themselves to head upstairs to bed.

But Anthony sat stunned. “What happened next?” he asked me. “Read me the next.”

“That’s the end, Anthony. See? No more chapters.” I showed him the book, how the page I had just read was the last page.

He flipped the end pages, looked at the back flap, inside the back cover, searching hopelessly for more story.

“Come on, Anth,” Ben said. “We can play army men in our room before we go to bed.”

But Anthony was crying. He held the book in his arms. “I wanted more!” he wailed.

When we took Anthony to the bus station for his trip back to New York, he greeted his fellow travelers, each of them name-tagged once more, some of them sunburned, one with an arm in a cast, all of them weighted with souvenirs.  Anthony carried a shopping bag filled with sea shells, two empty lobster claws, a snorkeling mask, and our copy of Cranes in My Corral.

He returned the following summer: seven years old now, a seasoned traveler with a list of expectations that included a stop at Weeks’ Ice Cream en route home from the bus station.

He had finished second grade. He looked at the menu in the ice cream shop and grinned at the familiar garish photos of sundaes. “Can you read it?” I asked, pointing to a description of his favorite.

“Not yet,” he replied. “But I’ll learn.”

Nor could he read at eight, the third summer he spent with us, after he had completed third grade.
Ben was also eight, that summer, and my other children were nine, eleven, and twelve. My oldest, a girl now in junior high, wanted to watch the evening news to see what was happening in Viet Nam, and her one-year-younger brother had ball games to play, games that lasted into the summer twilights. They no longer joined us on the yellow couch each evening. Now it was only Kristin, Ben, Anthony, and me.

“He can’t read a single word, Mom,” Ben confided privately. “Not even Green Eggs and Ham. And he’s going into fourth grade!”

I knew that. And it troubled me. But when I tried to show Anthony the sounds of letters, the magic of their combinations, he became impatient.

“My teacher will teach me that,” he insisted. “I’ll learn when school starts.” He didn’t want school, not in summer. He wanted stories.

Night after night, for three summers, we sat on that yellow couch, Tasha the Newfoundland snoring at our feet, and journeyed through books. The cool barn where Charlotte lived and died, the primordial swamp where dinosaurs roamed, space and rocket ships, Oz and Narnia: all of them became the landscape of Anthony’s life in our family. Each August he went home with books in his suitcase, stories in his heart, and the expectation that this year would be the year when he would learn to read.

His confidence and resiliance astounded me. In Maine, I had watched him jump into water well over his head and seen him bob back up grinning and make his way back to the dock with a city-boy dog paddle that somehow kept him afloat. I had seen him fall from a horse and feed the horse a forgiving apple from our orchard. He had ridden a chair lift, brown legs dangling, to the top of a ski slope, then hiked back down and found the untied sneaker that had dropped from his foot midway. It had never occurred to him that the water was too deep or too cold, that the horse’s big teeth might bite too far, or that the sneaker would not be right there at the base of the tall pine.

And each September he embarked happily on another year in school, certain that he would catch on this time, would break the code, would become a reader. “This year I will,” he said with determination each fall.

And each year it didn’t happen.

The spring that Ben, now nine, finished fourth grade, I sent in our annual application for Anthony’s visit. By this time it was routine. But this time there was no reply.I called the organization that sponsored the visits and they checked their records. Anthony’s mother had not sent in the paperwork this year, they told me. Perhaps she was ill? Surely not; not Anthony’s mother, who was herself a doctor as well as a nurse, and a veterinarian and professional wrestler to boot?  I asked them to call her with a reminder, to tell her we were looking forward to our fourth summer with her son.

They tried. But the telephone was disconnected. There was no one by that name at the address.
And so that optimistic, valiant little boy disappeared from our lives. We never saw Anthony, never heard from him again.

What does any of this have to do with Brown vs. Board of Education, that decision handed down fourteen years before a child named Anthony entered my kitchen carrying a little plastic suitcase?

I’m not at all sure. Sadly, it’s a reminder that the Supreme Court of the USA could not decree an end to every problem that an African-American child, heart filled with hope, would face in today’s world. The Court couldn’t mandate caring classrooms or fine teachers with a reverence for literacy. But it gave children like Anthony the right to expect those things, to hope for them, to demand them.

My son Ben is a lawyer now, and has two little boys of his own. Every night they curl up beside him, wearing Spiderman pajamas, and listen to the stories he reads.

From time to time I think about Anthony, and wonder where he is. Statistics tell me that a little black boy growing up thirty years ago in a Bronx project had a pretty good chance of becoming a dropout, a drug addict, a criminal, or a corpse. But I don’t think those things happened to Anthony.
I think that in his case, the statistics were offset by other things: that he had a mother who was right up here with Wonder Woman—and who ironed his pajamas; that at six years old, not yet four feet tall, he had carried his own suitcase into the home of strangers and made himself a place; that he cherished books and was determined to master reading no matter how long it took.

I think that today—tonight, this very night—somewhere he is holding his own child on his lap, and reading a story aloud.

#


Ring! Riiinnngg!

I drove up to Maine yesterday and when I got here and set up my laptop realized that I didn't have the power cord.  I'd planned to work on several things but realized that I wouldn't be able to, once the battery was depleted,  so had decided to go home two days early----then, luckily, I found the cord in an obscure pocket of my bag.  So all is well, except that I am appalled at how dependent I am upon the computer.

It is 7:30 AM and I have been up for two hours. Martin is still asleep, and so is Andy, my stepson who came with us for the weekend (and with whom I am going to see "Star Trek" this afternoon).  But Alfie wanted to go out at 5:30, and I went with him; I didn't want to let him run loose at that hour because he might bark and annoy the neighbors.  So I wandered around at the end of the leash while he peed and sniffed, and munched some grass and then barfed, in the mysterious way of dogs. Now he is sound asleep on the couch in the studio where I work, and I am wide awake.

At 6:20 AM I heard what sounded a gunshot in the distance.  I looked at my watch when I heard it because I envisioned being questioned by the police. If the local once-a-week paper says "Local resident killed by gun sometime Saturday morning" I will step forward and testify.

I was in Philadelphia earlier this week in order to meet with the theater director who will be directing "Gossamer" at the People's Light and Theater during their 2009-2010 season, and to speak to their subscribers at an event Tuesday night. Flew home in time to introduce M.T. Anderson when he was awarded the St. Botolph Foundation Distinguished Artist Award Thursday night and to hear him make a brilliant speech. At dinner, afterward, conversation turned to old movies, especially old "noir" films, and I mentioned having recently rented and watched "The Postman Always Rings Twice"---the old version, with Lana Turner and John Garfield---and Susan Cooper, sitting across the table from me, said, "Oh, I think my husband was in that!" (Susan was married to the late Hume Cronym) ---and it is true; he was; he appears late in the film, after the murder; he plays a lawyer.  But isn't that an odd coincidence, that I would have rented and watched a 1946 movie and then mentioned it while sitting across from the wife of...well.  Coincidence is what makes life interesting.

"Their Love was a Flame that Destroyed!" says the poster advertising the film. They just don't make them like this any more.

Post

Teach Me

I read this  in this morning's NY Times Magazine and was so moved by it that I thought at first I would direct everyone how to find it online.  Then I decided to simply copy it here. This may, of course, violate copyright law.   But not to make it accessible seems to violate some other law of the heart.


The New York Times

May 3, 2009

Without a Prayer

By MAGGIE ROBBINS

When I started studying Swahili in the early 1980s, it never occurred to me that I would end up in psychoanalytic training. It never occurred to me that I would end up in Africa either. I took Swahili for the credits (extra were given for beginning languages at my university). Plus, the professor had developed his own method: attendance was mandatory, but there was no reading or writing. Instead we bantered and bartered, covering our seminar table with potatoes, earrings, forks and baby dolls. As he said, “The word you need jumps into your mind before you know you need it.” Second-year Swahili led to a group Fulbright: eight weeks spent along the coast of Kenya, visiting the small communities of Muslims who speak Swahili as their first language.

Seven weeks in, the trip had fallen to pieces. (Safari imepasua: “the journey, it has blown apart.”) There was a water shortage on Lamu, our island home, which clogged the open-air sewers. Our instructors discussed politics on the porch of the hotel, which could have landed them in jail. The female students were sick of living under traditional coverings. I had run out of money.

At one point the group visited Pate, a tiny island of ancient coral-brick ruins. There, cowering from the sun, we endured a lecture riddled with obscure Swahili vocabulary while mangy monkeys bared their teeth at one another. Little boys in dirty white robes and skullcaps spied on us. Back at the shore we learned we’d missed the tide for the boat ride home.

As we settled in to wait, I was accosted by one of the junior spies. His name, he said, was Saidi Bwanamkuu. Bwana mkuu: “man/gentleman big/important.” As my important gentleman and I chatted, his friends ran away. We decided to take a walk. He was 10, he said; I would have guessed 7, though his eyes looked 70. Saidi admired my shoes, beat-up canvas pull-ons from Kmart that I’d been using to protect my feet from reefs. He told me that if he had shoes like that, every boy on his team would respect him. His team? Soccer. He was captain. He showed me 11 one-inch-square scraps of paper. On each he’d written in pencil the name of a player, for planning strategy. When I asked why the names had been erased and rewritten so many times, he explained that players changed and that these were the only papers he had. Again Saidi admired my shoes, asking if I had other shoes as well. Yes, I said. Then maybe I could spare these? I told him no. Besides, I thought, they were years too big for his feet.

Saidi suggested we become pen pals. I told him that I thought it was a fine idea and that I’d give him my address. He waved me away. “What is your father’s name?” he asked. “Rex,” I said. “That is enough,” he said. “I will write to you using your father’s name.”

I explained to him that America was a very big place and that he’d need more information on the envelope than that. His face fell. “Your father is not known?” he said. “I cannot believe this.”

“My father is known!” I cried. “Then that is all right,” Saidi said. “I will just write your name and ‘daughter of Rex.’ ”

When we returned to shore, Saidi disappeared. Then he was sitting beside me, silent. He placed one of his scraps on my knee and handed me a stub of pencil. ‘‘Nifundishe,” he said. Teach me.

“Teach you what?” I asked.

“Teach me,” he repeated. “You are from America.”

The developed world flashed before my eyes. Teach me about modern waste disposal, refrigeration, Dante. Nifundishe.

For the next half-hour I taught Saidi French. Then the boat came around the point, and he was gone. The group boarded and pushed off. I saw him walk out of the brush with a toddler on his hip. He was making his way down the slope into the water. Once he got within earshot, he looked straight at me. “Au revoir,” he said perfectly, both arms steadying the baby.

I first considered beginning to pray not long ago. In one of his books, the theologian Anthony Bloom suggests writing your own prayers, so I picked out a notebook at the Mount Sinai Medical Center bookstore. On the first page, I sketched a burning bush. My book sat otherwise empty. I put off writing prayers till I’d cleaned house and arranged my books in alphabetical order by author, then size, then by color instead. I took up yoga. Finally I tried writing prayers. They sounded stupid. So I copied other people’s prayers for a while.

And then one night I heard a prayer of my own in a language I’d forgotten; the voice belonged to someone who had by now certainly outgrown the ripped red canvas shoes I had sent him from the Lamu post office, stuffed with folded sheets of loose-leaf paper. The voice was small and determined, and it said, ‘‘Nifundishe.”




A few words about a few words

I am in the middle of some finishing-up, some final work on a manuscript that I will give to my editor when we meet for lunch on Monday.

But no one can work on one thing non-stop and so I take breaks from time to time.  Today, over lunch, I picked up and read a few pages of a book I recently bought after reading a review.  The book is called THE HOUSEKEEPER AND THE PROFESSOR, by Yoko Ogawa. 

Ogawa book



I have not read very far, but already I love this book, and the spare quality of its prose---a little like a Japanese garden or house: everything placed exactly right, no excess at all.

Here (to my mind) are three perfect sentences:

My son's schoolbag lay abandoned on the rug. The light in the Professor's study was dim. Outside the window, the blossoms on the apricot tree were heavy with rain.

Don't those three sentences, together, convey the exact feeling, the tone, the author intends? The selection of words—abandoned, dim, heavy, rain—combine to make the reader enter a certain mood even as one enters the room being described.  And the cadence is perfect. The first two sentences are brief, declaratory, and then they are followed by the longer, more extended descriptive sentence.

I read that passage several times, savoring how economical and evocative it was.

Of course the book is in translation and it is impossible, without knowing both languages well, to know whom to credit: author or translator. At best, both, one hopes.

I recently sent Allen Say a copy of my book "Gossamer" newly translated into Japanese, and he told me that if/when he finds time, he will read both the English and the Japanese and let me know how good the translation is.

In the meantime, I will continue to read this book slowly, appreciating each paragraph, cach page.


Saint (l); Sinner (r)

Yesterday afternoon two things happened in Cambridge, Massachusetts, where I live.

One, the Dalai Lama made a speech.  Two, a branch of Bank of America was robbed at gunpoint.

DL copy

Globe copy





Guess which event I was at.  The wrong one.

When my son Ben was five years old, in 1967, he was with me when I went into a bank in Portland, Maine, to cash a check.  After we left the bank and were walking to the car, Ben asked: "Why did that guy in the bank have a gun?"  I hadn't seen it. But I explained to him about Brinks, and Wells-Fargo, and how they move cash from banks, and the guards always stand there with their guns in their hands.  Ben thought that fascinating.

Then we got in the car and I turned on the car radio as we pulled out of our parking space, and the radio was announcing the armed robbery of the bank we had just left.

Now: what do you think the chances are of a person being present at two different bank robberies??

Yet there I was yesterday, at the Bank of America.

If I were going to be present at such an event, I sort of wish I had been ordered to lie on the floor with my hands behind my bank. Then there would be drama, and maybe I would testify at the trial---or asked to look at line-ups and photo displays----and my cogent testimony and observational skills would solve the crime and put bad guys behind bars.

Instead, I was simply shoved hard and ordered to get out of the bank. Which I obediently did.

If I had gone to see the Dalai Lama I might have attained perfect happiness.



Penguins Lead the List

Once again "And Tango Makes Three" has led the ALA list of "Most Challenged Books" this year.  For those of you  who been locked in  a  soundproof room for the last decade, this book is the true story of two male chinstrap penguins at the Central Park Zoo who, after they had been best pals for several years, were seen trying to hatch a rock that vaguely resembled an egg. Zookeepers gave them the second egg from another couple, and the two males hatched and raised the baby, thereby becoming the kind of caring family we wish every child in the world could have. 

200px-Tangopenguin

(None of my books is on the current top ten list, though at the moment "The Giver" is under fire in Nashua, New Hampshire).

The SLJ Battle of the Books is entering its final two weeks, with judges Linda Sue Park and Chris Crutcher selecting the two from which I have to choose the winner.  I was insane to agree to playing that role, which guarantees that I will be hated and reviled by half the people following the battle.  My own personal favorite got dumped early on, waahhh.  But the truth is, every book in the running is a winner.

And even though it is not a contender in this particular contest, I hereby declare "And Tango makes Three" a champion.

 

interviews, contests, etc

Here is one Q and A from an interview with me that can be found at the Abbeville Press website (actually, at their blog, called Abbeville Manual of Style). 

AMoS: You are the Final Judge for this year’s “Battle of the (Kids’) Books” tournament held by School Library Journal. Do you find it fun or difficult (or both) to judge your fellow authors’ work?

LL: I find it impossible. I once was a judge for the National Book Awards and it just about did me in. However, this “Battle of the Books” thing is an entertainment, more than anything else, and I am treating it as such. All the contending books are brilliant books—none is “better” than another. It’s a circus act, and it’s fun, and at the end I’ll say whether I applauded more at the dancing elephant or the juggling seal. That’s all.


As for the ongoing Battle of the Books, it is narrowing down day by day....you can get to it by going to the School Library Journal and from there to their blog.  (For some reason I can't seem to master the art of inserting a url into a blog post. Sorry.)

Anyway: the Battle of the Books is a lot of fun but I am worried that some (shall be nameless) people are/will be taking it very, very seriously and for them I will certainly have been the wrong choice as Final Judge.



Scott and Me

 Recently I received an invitation to speak in Regina, Saskatchewan.  Of course I said yes.  It is someplace I would never see, otherwise!  But here's the astonishing thing: the invitation was for the spring of 2012.

I am 72 years old.  In the spring of 2012 I'll be 75. Assuming I am still alive. And functional.  This morning's NY Times has an article about Margaret Drabble, who has called it quits, writing-wise, because she is 69 and feels she has nothing left to say.

Scott O'Dell died at 91 and was working on a  new book, I was told by his editor, when he died.  So I am thinking of Scott O'Dell and hoping to emulate him, instead of Margaret Drabble.

And here is a funny Scott O'Dell story,  Two, actually.

In 1979 I was in New York for whatever convention was being held there---probably ALA---and I was invited to a cocktail party honoring Scott O'Dell.  I was in my hotel room, alone, getting dressed to go that party, when I realized that I couldn't reach the middle button on the back of my dress.  It was just at that one place that was unreachable though I contorted myself trying before I gave up.  Finally I decided the heck with it, and I left my room with the button unbuttoned.

I got into the elevator and there was a pleasant looking couple already in it.  The wife was middle-aged; her husband somewhat elderly.  So I explained my silly problem and the gentleman buttoned my button.

I thanked them. I left the elevator and from the hotel, fully buttoned, I walked to---I think it was the St. Regis--where the crowded party was taking place. The throngs of us, me included, all raised our glasses of wine to toast guest of honor. And that's when I discovered that the man who had buttoned my dress was Scott O'Dell.

That was Story #1.  Here is #2:

Years passed.  Jump ahead maybe nine or ten years, and now I was one of two speakers at a luncheon at Vassar College. I was speaking second, after the major speaker---Scott O'Dell---who by this time was 90 or maybe even 91. It was shortly before he died.

I thought, as I sat there eating my chicken, that when it was my turn to speak, I would say that the last time I had been this close to Scott O'Dell was when we were together in a New York hotel elevator in 1979, and I had been wearing an unbuttoned dress.

But when he stood up to speak, HE said that the last time he'd been with Lois Lowry she had been wearing an unbuttoned dress in a New York hotel elevator.

How can Margaret Drabble have run out of material at age 69?

Images

Glamorous Traveling Life

Wednesday I drove to Augusta, Maine, in order to speak at the 20th annual Reading Round Up of Childrens' and YA Literature on Thursday morning.  I checked into the Holiday Inn beside the Convention Center, got out my laptop, realized it had a low battery, so looked for an outlet in order to plug it in. Nada.  The room's only electrical outlets were one behind the heavy king-sized bed headboard, or the other behind the massive piece of furniture that housed the TV.

SO:  Here is where I spent my evening:

Photo

And this is one way in which I waste time...

This morning I found myself mentally switching lead sentences in the NY Times  so that the wrong photos appeared. For example:

12filkins.1901

WASHINGTON — And now there are four. In the space of a week, the number of states allowing same-sex marriage has doubled, with Iowa and then Vermont joining Massachusetts and Connecticut.

Okay, we all know (don't we? don't we?) that that photo is of Richard Holbrooke, envoy to the Mideast, talking to the foreign minister of Pakistan---it is not Travis and Geoff exchanging vows on Fire Island.

It is a mindless way to waste some Sunday morning time while a hundred miles away my grandsons are hunting for Easter eggs and riding their bikes.

BUT:

It is also (wasting time, fooling around) a reward because I was up at 7 and at the computer and polished off a couple more pages on a book manuscript before I even opened the newspaper. I have take a vow to plow steadily through this manuscript because my attention to it has been too interrupted, too sporadic. Pavlovian reward systems work for me. For example: I am not allowed to watch "In Treatment" tonight unless I have written three more pages.

But for now, I am looking for a good photo with which to illustrate

WASHINGTON—The first family has settled on a first pet -- a 6-month-old Portuguese water dog that the Obama girls are naming Bo.  The selection was one of the White House's most tightly kept secrets.

Bulking Up

Okay, this is just an example of how my mind works---fluttering hither and yon.

I was sitting here at my desk typing away on a book manuscript.  I needed to mention a residential neighborhood in Tokyo, and I wanted to be sure to get it right, so I went (courtesy of Google) to a map of Tokyo.

I once lived in Tokyo, so I was not starting from scratch, but as I looked around that map, I found not only the neighborhood I wanted (so should have stopped right there, confirmed the spelling, closed down the Tokyo map, and gone back to work) , but---there was mention of Ryogoku, the section of Tokyo where the Sumo wrestlers live and train, and that brought back some memories.

In 1995 Martin and I traveled around Japan for a couple of weeks---just tourists.  During our time in Tokyo we had a chance (promising to sit very quietly, the same promise we had to make once when we attended a murder trial at Old Bailey in London) to watch young Sumo wrestlers training.  Following that, we wwent to a restaurant run by a retired Sumo wrestler (well, what else would a retired super-fat guy do?) where we were served a very hearty—and delicious—stew called Chonko-nabe.

Several days later we were in another part of Japan, very rural and mountainous. And while we were walking through a particularly scenic area, suddently there were throngs of uniformed schoolchildren, middle school age, apparently on a field trip.

One of them approached me very politely and asked if I could answer some questions for her study of English.  Sure I could. I answered the usual questions---where is your home, please?---etc., and watched as she laboriously wrote down the answers. Do you enjoy Japan? she asked.  Yes, very much. She wrote that down. Do you like Japanese food?  Well, the truth is I like some Japanese food. Not eel.  Not the raw, still-quivering fish that we had recently been served as a great delicacy. But I didn't want to get into a lengthy discussion with this child. So I said Yes, I like Japanese food, and she wrote that down.

What Japanese food do you like best?

I blanked. Rice? Miso soup?  Couldn't think of anything interesting to reply, until I remembered, and said cheerfully, "Chonko-nabe."

She gasped. Giggled.  Called to her friends in rapid Japanese.  They shrieked with laughter. Clustered around me.  She likes chonko-nabe!  Giggle giggle giggle.

Only later did I realize why it was so funny to them. Chonko-nabe is a food used to fatten Sumo wrestlers.  I can't think of any American equivalent that would be so amusing---maybe if someone said their favorite food was enormous amounts of french fries cooked in lard, followed by a hot fudge sundae.

I went looking for photos of our time at the Sumo heya (stable) in Ryogoku, but couldn't find them---so here's one from the internet---and now I have wasted at least an hour wandering down memory lane.

Practice

Sayonara.

E.B. White Award

EB White AWard copy

The E.B. White Read Aloud Awards, established in 2004, honor books that reflect the universal read aloud standards that were created by the work of the author E.B. White in his classic books for children: Charlotte’s Web, Stuart Little, and The Trumpet of the Swan.

In the first two years of the award, a single book was selected.

In 2006, in recognition of the fact that reading aloud is a pleasure at any age, the award was expanded into two categories: Picture Books, and Older Readers.

Books are nominated for their universal appeal as a “terrific” book to read aloud.

After a list of nominations is gathered from ABC booksellers, a shortlist of four books in each category is determined by a committee of booksellers chaired by an ABC Board member.

After a formal announcement on the first Monday in April, ABC booksellers vote online to determine the winners. The shortlisted books that remain receive an E.B. White Read Aloud Honor.

The awards are announced live during ABC programming at Book Expo America in May.  These are the Short Listed books for 2009 (and the comments by the selection committee):

PICTURE BOOKS:

A Visitor for Bear

by Bonny Becker, illustrated by Kady MacDonald Denton

The committee loved this book for its sweet, entertaining story, and for the timeless appeal of the writing and illustrations.

Louise, The Adventures of a Chicken

by Kate DiCamillo, illustrated by Harry Bliss

This book was highly nominated and enthusiastically embraced by the committee for its humor, wit, and adventurous illustration.

One

by Kathryn Otoshi

A remarkable small press book that impressed the committee because of the elegance of its writing and design paired with the complexity of its message.

Too Many Toys

by David Shannon

Chosen by the committee because of its road-tested kid appeal, the bold illustrations which work well in a group, and the rollicking back and forth story which makes it a great choice for reading aloud.


BOOKS FOR OLDER READERS:

The Magic Thief
by Sarah Prineas

A bookseller favorite which the committee chose because it started “with a bang,” and just kept on going. It was also included for its broad appeal to boys and girls, and to a wide range of ages.

Masterpiece
by Elise Broach, illustrated by Kelly Murphy

The committee loved this book for its well-structured plot and the classic feel of a great caper. They also felt that the illustrations really enhanced the story.

The Willoughbys
by Lois Lowry

The committee found much to love in this book from the wicked humor which works on many levels, to the literary references, the sophisticated language, and the appeal to both boys and girls.

Zorgamazoo
by Robert Paul Weston, illustrated by Victor Rivas

Many committee members were unfamiliar with this book before it was nominated, but it jumped to the top of their list for its irresistible verse that begs to be read aloud, its inventive design, and its wit. “Edward Gorey meets Dr. Seuss.”